![]() ![]() The focusing ring is smooth, almost buttery that makes focusing easy and fast with enough resistance to allow for precision without reducing gross movements. Like all other lenses in the OM-System, the F.Zuiko 50/1.8 compact lens with small-scale SLR bodies, the lens itself is primarily metal in construction with a sturdy feel without adding extra weight. Structure: 6 Elements in 4 Groups The lack of distortion is a lovely touch on the Zuiko 50/1.8 – Chart shot at ~5′ at f/8. Model: OM-System Auto-S F.Zuiko 1:1,8 f=50mm While the lens has gone through several changes since its inception, this chrome nose version fits in nicely next to my 50mm f/1.4 chrome nose and is a tack sharp option for the more budget-minded Olympus user. But sometimes, all you need is something at f/1.8, and the Olympus F.Zuiko, 50mm f/1.8, is a spectacular choice for your OM-System. It splits the difference between the high-end M.Zuiko 40-150mm F2.8 Pro and the budget-priced M.Zuiko 40-150mm F4.0-5.6 R, a $200 option that's simply not in the same league.When it comes to a 50mm lens, they are often overshadowed by faster fifties, the f/1.4 and f/1.2 and even crazier f/0.95. The OM System M.Zuiko Digital ED 40-150mm F4.0 Pro is a thoughtful addition to the Micro Four Thirds system and, as far as telezooms go, is a real Goldilocks lens. Stopping down to f/5.6 or f/8 rounds them out. The 40-150mm does a good job here, smoothing out busy backgrounds and drawing clean, mostly circular highlights-though you still get the cat's eye effect toward the edges of the frame at wide-open apertures. Micro Four Thirds cameras don't blur backgrounds as effortlessly as full-frame models, but can still produce images with the bokeh effect. If you use a different processor, you might see some pincushion distortion when you zoom in, but that's pretty easy to remove. In-camera corrections remove distortion from JPGs, and Adobe Lightroom already has a profile to correct Raw shots. The zoom action itself is internal, however, so there's no in-or-out movement when you adjust the focal length. The lens is about 1.2 inches taller when it's extended and ready to use. It measures just 3.9 by 2.7 inches (HD), but uses a retracting design to accomplish the feat-you have to twist the zoom ring with a little torque to extend (or retract) the optics. The 40-150mm F4.0 is quite compact, especially when you consider its equivalent full-frame reach (80-300mm). Pros should likely stick with the exceptional M.Zuiko ED 40-150mm F2.8 Pro ($1,499.99), but the more affordable ED 40-150mm F4.0 Pro is a worthwhile option for enthusiasts, and an Editors' Choice winner in its own right. The M.Zuiko Digital ED 40-150mm F4.0 Pro ($899.99) is a perfect example-it's a diminutive zoom with telephoto reach and an all-weather construction. The Micro Four Thirds sensor format allows for lightweight lens optics that are easier to carry than heftier full-frame glass. OM System (formerly Olympus) cameras are a popular choice for photographers who work outside the studio. ![]() How to Set Up Two-Factor Authentication.How to Record the Screen on Your Windows PC or Mac.How to Convert YouTube Videos to MP3 Files.How to Save Money on Your Cell Phone Bill.How to Free Up Space on Your iPhone or iPad.How to Block Robotexts and Spam Messages. ![]()
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